Bryant Park Project

Back to Architecture & Installations
Bryant park thumb

A coordinated group of activations and amenities—bookmarket, flower market, cafes, relandscaping—to rescue 1980s Bryant Park, the landmark open space then overrun by aggressive drug dealers.

This early, seminal project, developed for The Parks Council in the early 1980s by James Sanders and Roy Strickland, was designed to revive Bryant Park, the landmark open space behind the New York Public Library that had become severely under-used due to aggressive drug dealers blocking its entrances and walkways.

To attract the public back into the park, Sanders and Strickland introduced a coordinated group of activations and amenities: an open-air bookmarket operated by Barnes & Noble and the Strand, a flower market, and two cafes, along with landscape improvements and the restoration of the Lowell Fountain—each element relatively modest in scale, but collectively achieving a dramatic positive effect on the historic five-acre space.

The war that was waged for Bryant Park was fought with flowers, books and music. It’s hard to know which to cheer more: the result, or the choice of weapons.
Editorial Board, New York Times
One of the most dramatic examples of successful placemaking in the last half century.
Susan Silverberg, MIT
#Interventions and Activations
Scan 001 copy 2

The project activations all shared the same design approach (above and below, left). Sculpturally shaped aluminum kiosks provided storage for displays and tables, brought out by day and locked safely away at night. The kiosks sat beneath bright canvas-and-metal canopy structures, which not only sheltered the activations’ displays but, crucially, made them visible and beckoning from outside the park, drawing in passersby from the surrounding streets.

Scan0023 2 002 copy
Bryant Park 6

The activations’ operators provided daily, low-key surveillance of their immediate surroundings—much as shopkeepers provide, in Jane Jacobs’ phrase, “eyes on the street”—and with much the same result: illegitimate activities almost instantly disappeared or moved deep into the park, where they did not disturb the general public. The steel-and-fabric canopies, meanwhile, helped to define the vending areas, providing a civic scale and spirit that made their quasi-commercial activity feel appropriate in a public park.

Image91
Bryant Park 74001 copy

Because its installations were coordinated in their design, the project could be implemented incrementally, allowing the first elements—including the bookmarket, a café, and extensive flower planting (above, left and right)—to be put in place within seven months of the start of the effort, then expanded over time by additional elements. Intended initially as a short-term “emergency” intervention, the project remained in operation for much of the decade, setting the stage for later, larger-scale efforts to transform the park.

Awards

Architectural League Prize for Young Architects, 1981

Municipal Art Society, Annual Merit Award, 1981

Media

Bryant Park’s New Lease on Life,” Roy Strickland & James Sanders, Place: The Magazine of Livability, Vol. 3, No. 7, July-August 1983: 1.

Park & Ride,” Editorial, New York Times, 8/16/1982: 14

Counterattack in Bryant Park,” Editorial, New York Times, 10/1/1981: 34

A Flower Stand Enlists in Battle for Bryant Park,” Laurie Johnson, New York Times, 11/8/1981: 40

Some Success Seen in Effort to Reclaim Bryant Park,” Glenn Fowler, New York Times, 9/15/1980: 26

Bright Note in a Seedy Park,” Anna Quindlen, New York Times, 7/31/1980: B32

Credits
  • Project Direction & Design:
    James Sanders & Roy Strickland
  • Sponsors:
    The Parks Council
    Bryant Park Redevelopment Corporation (flower market)
  • Funding:
    The J.M. Kaplan Fund
    The Greenacre Foundation
    Vincent Astor Foundation
    Rockefeller Brothers Fund
    New York State Council on the Arts
  • Rendering:
    Roy Strickland
  • Photo Credits:
    James Sanders
Next to At Home in the City